Part of the magic about the music of Keith Whitley is that he was able to accomplish so much in such a short period of time. He passed away tragically in 1989 at the age of 34 right as his career was taking off.
Smartly, Dillon Weldon didn’t pry too much. You want to save the details for such things once everything is ready to be revealed and you can create a big buzz and provide pre-order links. But it is an exciting bit of country music news nonetheless. Invariably, some will ask if or how AI might be involved. These days, whenever archive material comes to light, the suspicion of AI does as well. But we’ll just have to wait and see how all it all shakes out. When it comes to archive material, sometimes it’s fully fleshed out songs. Sometimes it’s demo recordings or scratch tracks that can be turned into something more complete while still respecting the original performances. Sometimes it’s just partially-written lyrics on paper. Either way, anything involving Keith Whitley will definitely come highly anticipated by country fans whose appetites were left unfulfilled when Keith Whitley left us in 1989. – – – – – – – – –
Excited for this. One of the first songs I demoed at Ragamuffin Hall was a co-write with Keith that Dickey Lee had in his files but never demoed. That was a treat.
Of course there should be a load of unreleased songs. His career was very short. Thus there should be a treasure trove of material not heard.
He was never a big star, his studio albums isn’t outstanding in any way except for his voice and delivery, it’s run-of-the mill country pop, Nash 80’s style.
He drank himself to death, and since our culture loves the morbid, he became a “legend” (which he isn’t.).
He had potential, yes, he fucked around and blew it, sure, and I rather listen to him that to most any others who debuted in the 80’s – because of his singing, not necessarily the songs and the production.
But, as Clinton Gregory proved, it’s not enough with the voice, you also need the right songs and the right arrangements, and most of all; the right PR company.
I’m 56 years old and love Keith Whitley!!! But, I had never heard his song, “Tell Lorrie I Love Her” . And, not just because my name is Lori,but. I learned of the song at a moment in time that I desperately needed to hear it !!!!!
Call it whatever you need, but, that song alone pulled me out of a serious suicidal ideation!!! Praise God & Keith, God Bless You & Rest in Peace !😇💖💘
Agree. I cannot understand the hype of his “legend.” Yes, he had a beautiful voice. But the historical and legendary status that has been bestowed upon him is simply too much.
Need the right songs? Hmmm..(sets down coffee cup and scratches head)
Well Mr Sofus, I’m thinking he had the right songs. Which era of Mr Whitley shall we examine?
Between an Old Memory and Me
Birmingham Turnaround
When You Say Nothing At All
I’m No Stranger To The Rain
I’m Over You
Brotherly Love
Ten Feet Away
Kentucky Bluebird
Miami My Amy
Homecoming 63
Somewhere Between
I Never Go Around Mirrors
Don’t Close Your Eyes
Lady’s Choice
Talk To Me Texas
Brother Jukebox
Don’t Give Your Heart To A Rambler – with JD Crowe and The New South
Bartenders Blues- with JD Crowe and The New South
Dark Hollow- With Ralph Stanley and The Clinch Mountain Boys
Dont Cheat In Our Hometown – with Ricky Skaggs
Dream of A Miners Child- with Ricky Skaggs
ALL I Ever Loved is You- with Ricky Skaggs
Ill Be Your Stepping Stone- with JD Crowe and The New South
Obviously, none of them made him a star in his own time (Strait did great with Ft. Worth, of course thanks to him being George Strait, Mark Chesnutt released “Friends in Low Places” before Garth did, and it didn’t do a thing for Mark).
So, as said, Whitley did not record the songs that made him hit the top of the chart. I never said he didn’t record a bunch of great songs, he obviously did. But like Gregory, he was a small fish in a big lake, and never got the opportunity to stand out. Yes, it’s a shame considering what became hits, but that’s how it always is. If song quality is a guarantee, Rick Nelson would have been a much bigger star than Elvis.
If Whitley had lived for another 30 years, he would probably be largely forgotten by now, his idol Lefty experienced that fate during the 60’s and 70’s. Alcohol and pills did that, another common trait.
Sofus,
Your opinion is just that, your opinion. Whitley is one of the biggest vocal influences in Country music and bluegrass music history. Most of the male singers who followed him cite his influence. His music has gone on to be played, to multiple generations, of listeners. The songs have held up just fine. His name is a household name in Country music. When he passed, he was certainly on the rise, though admittedly his personal life was in crisis due to the drinking. The man is in the Country Music Hall of Fame largely due to his influence on two genres of music which clearly still resonates today. That’s not even debatable. I was very alive and tuned in during his heyday and well remember what a big deal he was becoming. Just come out and tell us you don’t like Keith Whitley and your irritated that he’s in the HOF. I get that. Obviously a whole lot of people disagree with you.
If a couple of borderline candidates drank themselves into oblivion, they would have been inducted too.
You can purport to discern “rules,” based on one case, but there are lots of high-profile cases that suggest the opposite. Johnny Horton died young/ Gram Parsons died young. And Jim Croce died young in a plane crash. That has not proved to be a ticket to the Country–or Rock–HoF or any of them. (Parsons has been “snubbed” by both–at least in the eyes of the contingent that’s pushing his “candidacy.”)
And Horton and Croce–and another non-HoF’er, Don Rich–died in vehicle or plane crashes, not from drugging and drinking.
God it would be fantastic if this was Keith Whitley stuff that wasn’t ruined by the horrible production on his first few releases.
I think he only made one album that had the timeless classic country sound and the rest of it was his great voice drowned in that horrible late 70s early 80s shit that almost killed country music that time around. I still don’t understand why there is such an cult about this guy . I don’t remember hearing much about him in the 90s, and I feel like he’s resurrected/put on Mount Rushmore in the past 5 years by some of the worst people (his name constantly shows up in the worst possible mainstream country songs and listicles).
I was just listening to the incredible podcast Murder On Music Row , a true crime slash investigative podcast by The Tennessean from a couple of years ago. They went into the story of Keith Whitley quite a bit as a cautionary tale about the shitty country music industry of the ’80s and if you’re a fan I highly recommend checking that out. The rest of the story is actually about the actual murder on music row, the one where a crooked chart manager help get somebody murdered.
He was recognized for his voice while he was still alive. I believe Waylon called him the greatest Country voice or something like that, when he was still alive. An early death often cements a legacy that “slowly burning out” wouldn’t give.
“I don’t remember hearing much about him in the 90s, and I feel like he’s resurrected/put on Mount Rushmore in the past 5 years by some of the worst people (his name constantly shows up in the worst possible mainstream country songs and listicles).”
You may not have heard about him, but hardcore country fans who were paying attention did. It’s not like Keith was some obscure artist who was just suddenly discovered five years ago.
I get it and I’ve seen the same quotes about Waylon and stuff but I can’t think of a single ’90s country song that mentions him and I can think of like 10 shitty ones from The last 5 years that do. I know that things go in trends.
I was a massive hardcore traditional country fan in the ’90s so it was definitely paying more attention than the average gen xer.
No one need criticize you if you dont like Whitley. Its your opinion and your ear. Obviously to a lot of us, his voice is the gold standard for classic baritone. I like about everything he ever did. A forgotten part of his legacy is in bluegrass. He recorded an album with Ricky Skaggs and he was in Ralph Stanleys band and a member of JD Crowes New South at one point. Thats an important piece of the legacy.
Im excited by the prospect of unreleased tracks. Bring it!
Country in the early 90s neo traditional era sounded country enough on its own, and artists didn’t need to name drop to make sure you understood they were country, hence the recent name dropping – also with Hank Williams death 75 years ago, it’s harder to drop his name so more recent names are needed. Above all you just wouldn’t have heard “girl, lets put some Keith Whitley on and drink some knob creek” or whatever TF Nashville pop guys sing. I’m sure the name dropping happens most in the songs that sound least country.
Yeah, Whiskey Riff says that Waylon’s piano player Barry Walsh said that on the day that Whitley died, Walsh went over to Waylon’s house as the news was breaking and Waylon responded that Whitley that “That’s the best country singer ever, Hoss”. I guess that ends the debate.
Waylon also made public comments extolling the singing abilities of Jones, Hank Jr., John Anderson and Travis Tritt. (And less-than laudatory comments about the abilities of Billy Ray and Garth.)
Whitley was a fine singer–“I’m No Stranger…” is as good as it gets for ’90s country– but clearly he’s having a boom here that is not permanent.
I’m 56 years old and love Keith Whitley!!! But, I had never heard his song, “Tell Lorrie I Love Her” . And, not just because my name is Lori,but. I learned of the song at a moment in time that I desperately needed to hear it !!!!!
Call it whatever you need, but, that song alone pulled me out of a serious suicidal ideation!!! Praise God & Keith, God Bless You & Rest in Peace !😇💖💘
I find it hard to believe there’s much quality stuff that has been discovered. If there’s any high quality material out there, RCA would have cashed in long ago. The same thing with Randy Travis. If Warner had any quality material, they would have released it when there was money to be made. Also, Randy’s team wouldn’t have resorted to releasing Ai tracks. With that being said, it would be great if somehow quality music from Whitley and Travis does exist. Sadly in most cases unreleased material was unreleased for a reason.
This is what everyone said before the Waylon Jennings “Songbird” release, and then I got attacked for not naming it Album of the Year. I have no clue what Keith Whitley left behind, but there have been many instances when archive material has proven to be valuable. I have no faith in major labels properly managing the masters of any artist. We’ll just have to wait and see what comes of this.
Keith Whitley already had several posthumous albums. I wonder what Jesse Keith means by there may be a co-write between him and his dad….he was two when he died. What worries me more than the existence of AI software to duplicate voices is the number of people who would accept it.
I read about that co-write several years ago. It goes by the name “Ga-Ga Daddy-ee Poof Poof!(Ode to Daddy)”.
@Stellar– Yeah, it’s interesting how some departed artists and songwriters suddenly become the hot thing among people in the know and then people who want to appear to be in the know. Suddenly there are people who wouldn’t know Rose Maddux from Rose Kennedy and couldn’t name any of her brothers who are clamoring for them to be inducted into the H-o-F. Lefty Frizzell was widely acknowledged in the 1980s and ’90s–there must be ten country radio hits from that era that reference “Hank and Lefty.” Now, I see that new lists of the greates male country singers leave Lefty out entirely and put in Keith Whitley, I was listening to some Aaron Lewis CD and heard him name-check Whitley as one of his heroes. Tracy Lawrence shows off his forearm with emblazoned with a tattoo of his Mount Rushmore of Country singers–Haggard, Jones, Strait and Whitley. (I just got tickets to see Tracy. It popped up that he’s appearing in Reading PA on May 30. Easy afternoon-night trip from NYC or Phila. areas.)
If there’s a singer who’s maybe been shunted aside a bit by the Whitley surge , it’s Randy Travis. They’re from the same time frame, but Travis was much bigger and was recognized in the era as one of the classic country voices of all time. Now, Whitley seems to have supplanted him in some sense.
The hipsters never latched onto Rose Maddox, and nobody is clamoring for Maddox Brothers and Rose to get into the Country Music Hall of Fame except myself and Marty Stuart. And I played drums for Don Maddox and threw him a 90th Birthday Party in Ashland, OR, so I know a thing or two about Rose’s brothers.
That said, the HOF isn’t necessarily too keen on the Cali country guys. Seems to me that Nashville and Texas comes first.
OK, Maddox Brothers/ Rose deserve to get in on their merits. The Hall’s historic bias against acts who did not work in Nashville is a good explanation for why they did not get in many years ago and another reason to give acts like them a belated Maddoxes chance for recognition.
I have been one who has supported Rose & the Maddox Brothers HOF entry whenever the topic arises. Have collected lots of their songs too.
Rose was one of the first big female solo artists, the group was playing music with a rock n roll flare before it was cool, they had a completely unique sound, and their story of how they travelled to California hopping trains, living as a family in a huge drainage pipe, working the fields, etc etc makes them “legendary” to me.
When I met Marty Stuart after a concert in NH this Fall, I said “We gotta get the Maddox Bros & Rose in the Hall of Dame and he wholeheartedly agreed!”
I do think people rediscovered the Madsduxes after the Cocaine And Rhinestones podcast because it points out the trajectory between their proto rockabilly hillbilly bop and much later rock craziness, and I think that sounds accurate to people when they check out the records.
I definitely heard about them in the 90’s but from old time stringband circles, not rockabilly or country circles.
Rose was beloved by the LA country music crowd of the 90s, folks like Rosie Flores, James Intveld, Jann Browne, Jim Lauderdale and especially John Jorgensen. She was a frequent guest on the Tuesday night Barn Dance shows at the Palomino and all of us loved her. I remember having breakfast with Rose before a festival when John and Chris Hillman, who were in the Desert Rose Band at the time, came over to say hello to her. I could see the admiration they had for her so there are more people out there who would support getting Rose into the HOF. I think a new female artist coming along who was influenced by Rose and is public about her admiration would be what it takes.
I didn’t mean to imply that Maddox Brothers and Rose are not beloved throughout country music, or at least in numerous scenes where they are known. I was pushing back on the idea that it’s some sort of buzzy, ephemeral, hipster excitement about Rose Maddox that even has her in the conversation for the Hall of Fame. I’ve been advocating for it for 15 years. And I know Marty Stuart has been as well. I hope it happens. Rose was super influential and important when it comes to women in country music, and she never really got a fair shake.
The Maddox Brothers and Rose if they would get in, it would be based on later influence. I get that they were legends on the west coast. They were hardly known in Nashville though. And no hit songs. Mostly did live shows of covers. It was their live show that made their name and legend. And the stage costumes.
I feel like the biggest crowd that later discovered them were the rockabilly folks. Their live set was hillbilly boogie and it was a precursor to rockabilly. You mentioned Rosie. I know her a bit as I wrote about rockabilly music for many years. Of course Hag loved them and cites their influence. In my estimation though, though they are a long shot.
I respectfully disagree. I think Maddox Brothers and Rose would get in via early influence, not later. To me, they were foundational to the formation of country.
I also don’t think they are a long shot at all. My sources in the Grammy voting process say that every year, the same gaggle of 6 or 7 artists come up every year on the final ballot for the Veteran’s Era category. That includes Johnny Horton, The Stanley Brothers, Maddox Brothers and Rose, and a few others. However, every year the artists that gets in via Veterans is the new name that falls from the Modern Era category to them, or that previously was not in contention. Looking back through the Veteran’s inductees, you can definitely see this. So Maddox Brothers and Rose are right there. They’re on the final ballot. They’re just not getting over the hump.
It would be good to hear more Keith Whitely. He died way too young. He was a great singer but isn’t is surprising that is there is worthwhile material that has not already been released? It is over 30 years. One can hope!
I’ve heard the numerous Whitley demos available through suspicious channels, and frankly, not much to brag about.
Beside Johnny Cash, it seems to me that the legacy of the greats from that generation are largely ignored. Haggard, Jennings, Jones, Paycheck, Kristofferson, Rogers etc.
Keith Whitley was certainly a talented singer, and I’d be looking forward to some unreleased Whitley songs.
I can’t get over the fact he was inducted into the country music Hall of Fame before Gene Watson, Johnny Horton (another artist who tragically died way to young), Moe Bandy even Gary Stewart and and Eddie Rabbit
Whitley wasn’t. Just like Hank’s wasn’t. As a local sportswriter said about Len Bias, “he knew what he was doing when he snorted cocaine.”
Rabbitt wrote “Kentucky Rain,” which became Elvis’ 50th and final Number One hit in Feb.1970.That alone should have guaranteed Eddie Rabbitt (two “ts,” Ben!!!!!!!!) Hall Of Fame status.
There are two big things that made Songbird so acclaimed. One is that after gaining the freedom to make his own records Waylon brought his band into the studio frequently, recording more material than he actually needed at the time. That means that he accumulated a remarkable collection of recordings that show him at his peak, he had the rights to everything and he kept them intact so his family could access them later. Second, his son grew up to be a famous producer with clout of his own who knew about the recordings and picked just the right time to go through them to create something new and marketable. It also helps that he’s set up headquarters in one of the most famous historic studios in the world and has access to the best equipment available. I question whether similar circumstances exist for the unreleased product of other artists, especially Nashville artists who are likely to have had contracts stipulating that the labels paid for the recording of their material and own the masters. That is likely to be true for Keith Whitley, meaning that the conglomerate that purchased RCA owns the rights to his output while signed to the label. They might not consider going into Keith’s recordings to be worth their time but that doesn’t mean they’re going to allow his heirs access to them, at least not without paying them big bucks.
What do you know about Dillon’s background? Specifically, how does he have so much access to celebrities? His podcast doesn’t seem like it would be big enough to warrant the access he has, so I’m assuming he has connections for other reasons I’m not aware of.
I don’t know much about Dillon Weldon’s background, but I do know he’s been working really hard at his podcast and social media presence, and lots of folks are paying attention across platforms. My guess is people are probably reaching out to him for opportunities. He’s really built something cool, and I applaud him for it. Maybe I’ll do something more directly on him at some point.
Source: savingcountrymusic.com